Tasty holiday treats: Meg Wheatley’s 10 ways to create healthy community change. Nice set of videos. Dave Pollard has moved his blog. Update your bookmarks! CBC News blogs the minute by minute development of the most productive thing to happen in Copenhagen last week: The Yes Men eviscerating our government’s shameful performance on the world stage. Metafilter has a nice little article with some great links on the Christmas Truce of 1914 Merry Christmas!
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Tasty morsels from the syndicated grapevines: Thomas Arthur shares a beautiful reflection on his place and time. Myriam Laberge with some excellent tips for improving information delivery in conferences. For best results combine it with an insanely good slideshow. Jordon Cooper has a nuanced take on big business and the environment. Also from Jordon, Life’s pictures of the year. Tom Atlee on Open Source Religion. Worldchanging reports on young people using Google Wave to negotiate what the adults should be doing at Cop15
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About to begin the three day Art of Hosting training here on the shores of Clayoquot Sound. THis rock was my offering of balance to the land and the sea.
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Returning to sit in the stream Tenneson Woolf makes a nice meta-harvest of what we have been doing over the years with the Art of Hosting workshops we’ve been teaching. Tom Atlee has released his new book: REFLECTIONS ON EVOLUTIONARY ACTIVISM: Essays, poems and prayers from an emerging field of sacred social change” Johnnie Moore finds the circle of life in stunning visual clarity. JS Bouchard posts a great design for short and small collaborative meetings. The Symphony of Science
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Natalie Angier, inspired by Kandinsky, celebrates the circle, I also learned of Kandinsky’s growing love affair with the circle. The circle, he wrote, is “the most modest form, but asserts itself unconditionally.” It is “simultaneously stable and unstable,” “loud and soft,” “a single tension that carries countless tensions within it.” Kandinsky loved the circle so much that it finally supplanted in his visual imagination the primacy long claimed by an emblem of his Russian boyhood, the horse. Quirkily enough, the artist’s life followed a circular form: He was born in December 1866, and he died the same month in 1944. …