Another post on music, this one inspired by a great essay on the etiquette of improvisation, by Howard Becker: Collective improvisation–not like Keith Jarrett, where one man plays alone, but like the more typical small jazz group–requires that everyone pay close attention to the other players and be prepared to alter what they are doing in response to tiny cues that suggest a new direction that might be interesting to take. The etiquette here is more subtle than I have so far suggested, because everyone understands that at every moment everyone (or almost everyone) involved in the improvisation is offering …
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Every couple of weeks I sing with an evensong chorale, singing Gregorian chant and other liturgical music for a meditation service at one of our local churches. The whole experience is deeply spiritual for everyone who comes, including (and especially) the singers. Over the past few years we have focused on how to collaborate on a level that befits the experience we are trying to generate for the congregation. And it really comes down to sustaining flow. Our director Alison Nixon, who thinks a lot about these things, usually has some wisdom to impart to us each week. On Sunday …
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Joseph Allard 1873-1947 From The Virtual Gramophone The National Library of Canada has published hundreds of 78s of early Canadian music in their Virtual gramophone project. Joseph Allard was a superstar in his day, recording dozens of traditional tunes on fiddle with a sparse and tasteful guitar accompaniment. Sample Reel du capitaine (mp3) and then head over to the audio page to hear more. Do what I did: spend the day there.