
Questions are the central preoccupation of my work. I ask them of clients, we ask them together, we ask questions about questions to be sure that we are asking good questions and when we aren’t we ask questions about what would be the better questions. In uncertain situations, the quality of our inquiry often matters far more than the quality of our answers.
So much of my work deals with supporting groups and organizations as they explore uncertainty, ambiguity, and unknowable futures, that answers are usually less helpful than good questions. The question often then becomes, what makes a question good?
For years in the Art of Hosting I have avoided teaching about good or powerful questions. My reticence to do so was based in the idea that knowing what a good question is is so context dependant that I couldn’t possibly tell you unless we had a context to work with. I think the role of hosts is not arrive bringing the powerful question but to arrive bringing the attention needed to notice the questions that are alive in a field of work.
There are however a few useful pieces of scaffolding that might hep a person get started in thinking about questions. At a recent Art of Hosting, my colleagues taught a short introduction to powerful questions using a kind of hierarchy of questions that is contained in Vogt, Brown and Isaacs’ “The Art of Powerful Questions.” It looks like this:

from Vogt, Brown and Isaacs’ “The Art of Powerful Questions.”
This hierarchy started me thinking about this post. In re-reading the Art of Powerful Questions, I could see that there were two distinct practices discussed there. One was the practice of designing questions. The other is the practice of discovering questions. As one source in the publication says:
“Discovering strategic questions is like panning for gold. You have to care about finding it, you have to be curious, and you have to create an anticipation of discovering gold, even though none of us may know ahead of time where we’ll find it. You head toward the general territory where you think the gold may be located, with your best tools, your experience, and your instincts. And then you begin a disciplined search for the gold.”
THAT is what interests me.
A question does not have power on its own
Let’s stick with the first practice for a moment: designing questions. Every facilitator at some point has kept a journal of good questions. When you do you start to notice that it is impossible to speak with certainty about what makes a question powerful. What this hierarchy does is to put various English interrogatives into a kind of sequence, not of powerfulness actually, but ostensibly of openness. Yes/no questions are clearly more limiting than Why or What questions. But I don’t know if they are more powerful. One of the most powerful questions I ever asked was “Do you want to get married?” It was by far the most consequential question of my life and it really came down to yes or no. Likewise, one of the most debilitating questions I was ever asked was from a teacher who was frustrated by what I later learned was a classic presentation of ADHD who asked twelve year old me “Why do you disappoint me?” If a yes/no question has two answers, that Why question had zero. And perhaps it was powerful, but it wasn’t generative. It was, unknowingly to the frustrated teacher, cruel.
The other thing to note about how questions are skewed by context is that the questions above were put in a relational context. “What do you think you’re doing?” is not really a question, and it carries the overtones of disapproval from a person in power. Questions like that are carried in a medium of relationship that render the hierarchy of powerfulness almost useless.
There are lots of different kinds of questions. There are closed questions and open questions. There are questions that we have answers to, questions that lead us in a certain direction, and questions that invite us to keep uncertainty and openness and exploration alive. There are questions about the past, the present and the future. Lineal, circular, strategic and reflexive questions. Directed and undirected questions, and so on. I spend a lot of time helping people to NOT ask yes/no questions like “Did you receive good support for this problem? If no, please explain.” It’s better to ask “What kind of support did you receive?” and have people share a story and tell you themselves if it was good service or not. This is the basis of work with Participatory Narrative Inquiry
The Art of Powerful Questions as a document really came out of a conversation between a number of people involved in the World Cafe community as they were thinking about questions, and I recommend it as a good starting point. The World Cafe community continues to explore this question about questions.
After working with questions for many years and especially increasingly working in complex and emergent contexts, I think my practice has led me away from designing good questions to trying to discover them. As a leader in places where I have led sometimes framing the right question is the right thing to do, but it is about adopting the stance of inquiry that is ultimately more important that having a perfect, powerful question.
Questions are proposals embedded in contexts
Questions are embedded in contexts. The combination of the question and the context creates a kind of proposal for action. What has intrinsic power in a complex system is the questioner. As a facilitator, if I ask a question of a group, it collapses the field of possibilities in the room because I have made an implicit proposal about what is important right now. Even if I have spent time to craft that question with a bunch of people from the organization or group I am working with, the act of me asking that question is where the power lies. So, while it is important to pay attention to assumptions embedded in questions, it is also important to be aware of the proposals embedded in questions.
A question like “What is it you plan to do with your one wild and precious life?” is a beautiful question. But if I ask it in a group I am making as assumption that the people I am asking it about have similar thoughts about their lives as Mary Oliver does. I am also making a proposal, as Mary Oliver does, that I’m possibly not doing enough in my life to bring more attention or purpose or meaning. Or I may be assuming that folks, as she says
know how to pay attention, how to fall down
into the grass, how to kneel in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Not everybody has that kind of idleness at hand to be able to reflect on whether contemplating a grasshopper was a good use of time. Asking folks that question devoid of the context of their lives, the urgency of a situation, or the consent to be in that conversation is a hell of a proposal. Imagine asking a seasonal farm worker that question. Or the Dalai Lama.
Beautiful questions are not necessarily inviting questions
Mary Oliver’s question is beautiful. It stands on its own because it is a poetic statement. I’m not sure it actually wants an answer. It seems to invite a turning, a metanoia, a repentance. If it were offered in a therapeutic context, it might directly imply that I’m not doing the RIGHT thing with my one will and precious life. The question therefore intimidates me and subjugates me to the author’s intention. When that intention is hidden, I feel manipulated.
I do see this often in questions that come my way like “What would be possible if we trusted each other more?” That is a question that immediately drives me to thinking about its opposite. In my world, even as a person who tends to trust more than I should, there are definitely people I should be trusting less. The idea that MORE trust leads to more possibility contains an embedded assumption, an implicit proposal and a predetermined pathway of inquiry. It avoids the first principle of good complexity work and lets the framework determine the data and not the other way around. There is no new meaning to be made from a question like that, really. The conversation is likely to be abstract and opinionated at best. And might be a naive casting about in an unknown future at worst.
That’s not to say that we can’t learn from questions like that.
If we really wanted to examine trust I might start with having people tell stories about trust to each other. How trust operates in different contexts matters, and so if the exploration is not be useful, the stories have to be relevant to the context either because they are directly related to the context or they become connected to the context through reflection and collective sense-making. Nevertheless, it’s no good that assuming that MORE trust leads to MORE possibility if there is a chance that trusting some people less in order to opens up the possibilities for a field.
Good questions can be answered by everyone, and get the facilitator out of the centre.
Not all conversations are the same, but a lot of my work deals with looking at what’s happening and exploring change. This implies a trajectory to the questions, from the present state towards a direction of travel that we might discover together. My favourite questions for this, and still the ones I use as a basic template for work are Terry Borton’s reflective questions: “What? So what? Now what?” These are so simple, and yet they hold us, as facilitators, at a distance from the group’s work, which is a good thing. They ask of us to become hosts that works with the constraints of the system that shape actions, rather than the attractors that collapse what’s possible into a single, deep, valley of channeled conversation.
As basic source code these questions are helpful. Almost every change or planning process I work with starts with “What?” There is nothing better at getting directly to the urgency of a situation than by asking what the hell is going on and then shaping the constraints of the situation such that everyone can contribute to that conversation. There is not one answer. There is a survey of the field and the perspectives in the room that gives us enough information with which to act, because in complex situations that is what we need.
The “So What?” question invites the group to look at what they have said is the “What” and make sense of it. What does this mean for us? This is the area of exploration, negotiation, discussion, perspective sharing, learning. From this sense-making comes the turn to trying things out. “Now What?” is about the actions we might to take to address a problem, explore and option or move this into a new cycle of inquiry, Glenda Eoyang calls her version of this loop “Adaptive Action.”
There is a similar construction in the Technology of Participation body of work known as ORID, which helps people in inquiry look at Objective questions, Reflective questions, Interpretive questions and Decisional questions.
Again, these methods imply a directionality to an intervention, but as long as that intention is clear and transparent and lands a proposal for action, I think the direction is ethical. If the group refuses the proposal, then the question becomes “What do we do now?” I’ve had a few cases of these in my life and they are good lessons in humility and excellent examples of watching a group activate its collective capability to frame its own questions and inquiries.
The most consequential questions are often the ones the group recognize as their own
So this brings me around to the point. A question shapes the field of attention. In complexity terms it becomes a constraint and makes some things easier to notice and others easier to ignore. It channels attention and participation. If it is understood as a probe to that system, to see what else might emerge, it can be useful. If it is held tightly as The Thing We Are Here To Talk About then it becomes non-consensual and it suppresses the emergence that is needed for a group to discover and rely on its own capability and distributed knowledge. For complex and uncertain work, including planning, change, and culture, the questions are already in the field. They are the ones that everyone is asking in their minds. Not “What would be possible in five years if we became a more welcoming community?” but rather “What are we going to do about these damn tourists?” (That might be from a real situation. 😉 )
But what about my one wild and precious question?
So the most powerful question is not the one that the facilitator brings. In fact my advice would almost always be to start with “What’s happening?” and go from there. Bring attention, not intention. When a group develops enough shared attention sometimes the powerful question emerges there and it seems obvious. We need to not go looking for beautiful constructions, poetic and inspiring language, or even hierarchies of importance. We need to pay attention to the conversations that are already happening, the questions that people are asking themselves, the relational fields in which those questions are being asked and the larger context of need and purpose that forms the proposal for the intervention.
Practitioners intervene. That’s what we do. Letting go of the need to bring the powerful question helps us to do it better because it turns a predetermined intervention into a collectively help proposal for action, one that can be explored, contested, rejected, accepted, or changed. Start simple and be transparent. Start with a question that everyone can answer, one like “Can you share an experience of… What happened?” Take the answers to those questions and give them to people and ask them what they make of them. Then let the next question emerge from what the group has made visible together.
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I am sitting on the pier, fuelled by an espresso, just having completed volume 2 of Solvej Balle’s story On the Calculation of Volume. Volume 3 is sitting next to me ready to be cracked open as I wait for a friend to arrive from the mainland.
Balle’s work has been lauded for its beautiful writing (beautiful in translation too, thank you Barbara Haveland) that moves at a measured speed and is very clear and incisive. This is a story about noticing, set as it is on an eternally repeating 18th of November, charting the narrator’s exploration of her world. It sits very comfortably beside Samantha Harvey’s Orbital; a short novella that is saturated with gorgeous passages of writing, a novel way of seeing time and space, and an almost imperceptible pace.
As the title suggests, this is a book that investigates depth. Towards the end of the second volume comes the clue that unlocks the plot device: “Time is not a circle and it is not a line, it is not a wheel and it is not a river. It is a space, a room, a pool, a container.” Volume 2 ends with a beautiful three page meditation on the world as containers, which I can only invite you read for yourself.
Locked in this container of time, the narrator Tara Selter has to discover depth in order to give her life some meaning. The story meanders between longer explorations, that include trying to solve her problem, seeking an experience of seasons, exploring the history of the land in which she finds herself. As she goes she records notes about what is important to her. It’s not clear that there is any reason for that other than that she is consigned to this single container of time as a human, she seeks deeper and deeper meaning in it.
One passage that stood with me is a conversation she has with a meteorologist she meets, who explains to her what season are:
“…the meteorologist then began to reflect on our strange relationship with the seasons. She talked about astronomical seasons, and meteorological seasons. About the calendar years division into spring and summer months, about people’s surprise when meteorological phenomenon did not occur with the calendar, even though everyone knew that any attempt to synchronize the weather with the predictability of planets and calendars was pointless.
She did not believe, however, that seasons could be regarded as meteorological phenomenon. Temperature and precipitation are meteorological phenomenon, she said. Cold and heat, cloud burst and drought, but seasons? She saw them more as psychological phenomenon. Memory concentrates. Accepted stereotypes. Conglomerates of experiences and feelings, perhaps. People ask if it won’t soon be summer, even though we are well into July, simply because the summer has been on the cool side. As a meteorologist one is almost expected to deliver particular weather conditions at particular times of year, she said. A proper summer. A proper winter. As if you hadn’t done your job until you had delivered a certain sort of weather. We going to have a winter this year? As if the seasons were a concept of sorts that we dragged around with us. From childhood perhaps, she said, with winter snow and summer sun. Or perhaps not even that. Perhaps the human seasons really only existed in films or in our photo albums. Especially if you have children. She did it herself: took pictures of typical seasons. She had noticed that she took more pictures from the seasons that lived up to our expectations of them: pictures of snow in winter and bright sunshine in summer, a hot day on the beach, red and yellow leaves and a child in rain boots in autumn – and always snaps with sandals in the summer, even in summers when most days were rain boot days. As if we had templates for the seasons, and when everything fits, we take a picture. As if it is an event in itself that the weather has gotten right. If it is winter in a film, there is always a little snow, she said. Or frost. Even if the film is set in southern Europe, there will always be a sprinkling of white, to let us know that it is winter.”
Containers and constraints generate the spaces inside which we make meaning. What we choose to see, what we fit with our predetermined ideas, or what emerges as we explore things that aren’t implied by the constraints themselves. Containers are emergent. Meaning arises within them and about them.
Balle’s work is a gorgeous meditation on this, with a gently travelling plot line that takes sudden turns into new landscapes contained ointment the experience of a single day.
Volume 3 sits beside me. Volume 4 has just been released in English. There are seven volumes in total. All calculated.
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The famous wave at Nazare, Portugal on a light day. The wave is generated from the complex motion of water travelling up a very deep underwater canyon nearly to shore where it rises and meets strong currents coming in many directions. It produces some of the biggest waves in the world. Not easy to surf.
It’s not my title. It’s the title of a book/treatise by Mark Downham, who publishes very long treatises on issues of philosophy, organization, and complexity. This one looks at hosting containers as seen against ideas embedded in Classical Chinese philosophy and it’s going to occupy a big piece of my attention over the next little while.
This has been a spring of considering some of the deeper philosophical issues that meet in the intersection of complexity, hosting, and leadership. I’ve been beavering away a digesting a number of very, very long posts principally by Downham and Snowden in order to clarify my own thinking and practice as a process host, and a teacher of participatory process. It has been a case of getting very clear about the why and where the practice of hosting and holding containers in complexity lies, what is implied by those words and concepts, and why the deep inquiry into the theory brought by these thinkers this spring helps to challenge and sharpen my practice, and help us grow as a field.
It’s not easy. The texts I’ve been reading and engaging with have my mind spinning in several ways and I have been writing bits and pieces here and there to think out loud about them. For me a big benefit of this period of reflection has been to continue to refine the material we are teaching in Complexity Inside and Out, which is a body of work that represents Caitlin’s and my developing practice on working with complexity as and where we find it in our work and lives. That work has been an extension of the work we teach in the Art of Hosting workshops we run. It goes much deeper into practices of working with complexity and introduces people to the work of Snowden, Kurtz, and Eoyang as well as our own work. It is intended to introduce practitioners to complexity tools for working with change in the contexts in which they find themselves, including how to support a personal capacity to host and lead well in complex situations. It grew out of work that we did ten years ago and more when we offered Art of Hosting Beyond the Basics with Tim Merry and Tuesday Rivera, in which each of us extended our own inquiries that started in the Art of Hosting community and took us out to other bodies of work and practice to look at change, complexity, power and personal practice.
So my restless mind and spirit of curiosity has been aroused and shaken and challenged by this rather mammoth collection of works that has appeared this spring. For background I’m going to gather the texts here.
First Downham. These are dense, unexpected texts that draw together strands from fields that are familiar to me and those that are completely outside of my experience. I told Mark he would be a great player of the Glass Bead Game:
- The Architecture of Held Space: The mountain that holds — and the host who learns to hold like one. Here Downham uses many of my writings on the Art of Hosting to discuss the idea of container, so it is getting most of my attention at the moment.
- The Geometry of the Vanishing Container: Breath and Form, Faerie and Field: Pneumatology, Gestalt, and the Liminal Topology of Emergence in the Work of Harrison Owen and Patricia Shaw. which looks at issues of hosting and container work and is one of the few pieces I’ve ever read that sees Harrison Owen’s deep commitment to liturgy in its many forms and guises.
- Cynefin Dynamics and the Choreography of Organizational Change. A commentary on my favourite paper on Cynefin written by Cynthia Kurtz and Dave Snowden in the early days
Snowden’s posts:
- Stacy Unresolved
- Leadership in the Estuary
- The whole series on estuarine thinking, beginning with part one
- Trialectics, or thinking in threes. Alos the start of a series which is inspiring me to think through some ways of talking about containers and de-binarizing some of the dualities we talk about in the art of hosting.
- Foreclosing the territory. A three part series on theories of change that is deeply important in describing the implications of anthro-complexity in change work
None of this is easy reading and these texts have been consuming my thinking over the past few months. I think they are important to my practice, and to the practice of the Art of Hosting community for these reasons, amongst others:
- They offer important claims about epistemic justice, power and subsequent practices of sense-making that help me thinking about positionally of the host, what is visible and what is invisible.
- They offer important reflections on what it means to “design” processes and what it means to host them.
- The offer oblique insights on the notion of theory and practice of working with dialogic containers, especially in complex spaces.
- They challenge the universality of methods, approaches, and tools and invite a more rigorous and context-focused consideration of what to do and how one might do it.
- They surprise me constantly and have offered illumination to some blind spots in my own understanding, generated some aha’s in my own practice, inspired some sharpness in my own thinking, and placed me in a position where I can say more clearly what it is that I do and why that matters.
- They invite us to a reflection on what has built up over time as “ways of doing things” that we take for granted, and invite us back to a renewed view of our works, its sources and the places that it might grow and evolve.
My blog is, as Mark Downham named it, is a field book of notes on practice and theory that I have assembled over the past 20 years. Taken in its totality it represents a journey of a practitioner formed in and adjacent to meaningful communities of practice, bodies of work, teachers and teachings. It is and always will be a place of half-formed thoughts and questions, offered to others as a way to connect and grow a field of practice that honours voice, agency, and community in the pursuit of a better world. It is, as Mark Woods named his blog back in the 1990s using a quote from Stendahl, “the fitful tracing of a portal.” And so I will continue musing out loud here and hope others will join the inquiry.
This inquiry is not everyone’s cup of tea. It is a theory-heavy string, and that theory is positioned in a narrow field of inquiry. It challenges and at times does not pull punches. These blog posts that Downham and Snowden have produced this spring are the deepest and most sophisticated responses to the Art of Hosting body of work I have ever seen in the 20+ plus years I have been around the community. They deserve a serious response, which I have promised to both people. This response though will come in a messy way, informed by practice, thinking, new ideas and conversation. I welcome partners in this. It’s a lot of work but I think this is a serious and important inquiry for those of us who identify, and are identified, as stewards of this work and who are willing to jump in. Just getting the questions right is going to be the first step!
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I don’t shy away from the fact that diversity is essential to creating processes that are inclusive and give us as much situational awareness and access to distributed intelligence as possible. The current attacks on diversity from ideological perspectives are direct attacks on making groups of people smarter. If you narrow the opportunity and the resources to look at and understand situations you limit the scope of possible action, and you make yourself a lot less intelligent and responsive that the context or your competition.
If your organization used a DEI policy as the only addressed the need for diversity of lived experience in your work, you were probably not doing it right. Performative diversity doesn’t help. Mandating a certain amount of diversity is still a technical solution to a complex problem. The problem is “how do we best understand the current context in which we are operating in order to find the best ways to act.” If the context is a complex one, increasing the degrees of diversity in the process gives one more access to the distributed intelligence of the field in which you are operating.
One of the places that this shows up in participatory work is in the way we invite people to the work. How do you find people you don’t know and generate enough comfort, trust and ease that they can show up and contribute?
Trust is an emergent property of relationships so one trick here is to work with the constraints of connection and exchange. The challenge is how to find people that have proximity to the issue at hand and that are unknown to those who find themselves in the centre of the problem. And it is compounded by a need to overcome trust issues stemming from factors such as status, knowledge, power, power and resources.
We once addressed this problem using this constraints strategy when working with a local foundation who was conducting some community engagement sessions for a new program design. The issue for them had always been the “usual suspects” problem: the same people kept showing up in the same way. Part of the problems was structural: meetings were held during the day and there was no child care for example. Part of the problem was the power and status gradient between the foundation – who was a powerful presence in the community – and the community itself. Many of the people who would show up to engagement sessions were those hoping to secure grants or those who were already funded but the foundation. This would skew participation in unhelpful ways as people tried to balance competing agendas around their own participation.
Yet the tension was real. We needed familiars to extend the reach of invitation to those who had knowledge to contribute to the problem and who would have enough trust to share it.
We began by making a list of invitees and we contacted them to ask them to personally invite one person in their network who was different from them and had never been to a foundation event. We didn’t specific how they had to be different, but we did ask that the invited person be new to foundation events. This simple action extended the invitation beyond the group that was known to the foundation staff and used existing networks of trust and relationship to cultivate difference and diversity. The resulting gathering was positively received and the program staff and participants said the quality of learning was noticeably different. Many of the new people who came felt pleased to be directly invited and so the level of engagement and participation at the meeting was higher than usual as well.
This idea and this approach was enabled by our understanding of how constraints work in shaping complex environments. Working with constraints to shape interactions between people is the work of the host in complex environments. We don’t know what the outcome will be, but when we want to change things, we settle on a direction towards “better” and work with the constraints available to us to see what will happen. In this case simply removing barriers – by providing food and child care for example – was not enough on its own to increase diversity. We needed to work with the exchanges between people to piggy back on existing trust networks to see if we could generate more trust and a different profile of participants.
It worked. What emerged at the event was a broader perspective on the issues at hand and ideas for crafting the new program. It alos brought new people to the work of the foundation, some of whom carried on to be involved with the new program.
Increasing diversity didn’t require a policy or a program. It was rooted in the real need in a complex context, which will always require diversity to scan, plan and design with the community in a context-appropriate way.
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A baby barred owl seen last Wednesday by Terminal Creek, near our home. These owls breed every year in the same place and the babies sit in the trees and wheeze at passers-by until their hoot-makers come in.
Today I turn 58 and In a couple of weeks I will have lived on this island for 25 years. Being here for that length of time – a duration that has long exceeded anywhere else I’ve lived – tunes one to the finer rhythms and changes of time and place. Today, the thing I’m noticing is the change in the dawn chorus year to year. The sound of the dawn chorus which begins in April really and shifts through a few movements in May and June before abruptly stopping in the summer, is like a developing symphonic piece. There are distinct movements to it that are consistent enough year after year that one can discern the mark of the composer on them. These include the constant buzzes and questioning whines of the towhees, the two note calls of the chickadees: the black-capped clear and bell-like; the chestnut-backed buzzy and wheezy. There is always a distant goose call from the bay, about 600 meters away below us to the south. Juncos chip in the garden. Flickers hammer on roofs and power poles. Crows harass whatever predator is threatening them or call to each other from the beaches down below us. From high above it all, ravens offer their occasional grumbled commentary on the state of things. Creepers and kinglets sing the hyper-soprano parts.
As the spring progresses though, the yellow-rumped warblers (affectionately named “butter-butts” by birders in these parts) and the robins take pride of place in the chorus. These will be later joined by the orange-crowned warblers. As we get into June, the black-headed grosbeaks start singing with their clear, loud phrases. White-crowned sparrows begin calling and a visiting western tanager will offer both flashes of colour and lovely ringing song. Flycatchers round out the chorus, with the western offering a whoop-dunk, the Pacific a wolf-whistle and the willow a sneeze.
But it’s also the variations that grab my attention. In 2020 we had nuthatches meeping away everywhere and then they disappeared from the chorus the next year. Pine siskins, who will migrate hundreds of kilometres east or west in search of eruptions of insect populations will almost overwhelm the chorus some years, while in others, like this year, they will be completely absent. This year western warbling vireos are everywhere and seem to be the most common mid-range voice in the choir. And little packs of bushtits move through the understory like gangs, something we don’t get every year.
This is the body of work that the land here produces. When I travel at this time of year, I notice ways in which the niches of voice are filled by other birds, but after living in a place for a quarter century one can discern the subtle movements and compositional techniques that the island, in this place, and at this time of day employs in its expression of the season. This little patch on which I have sat for 9,000 mornings has its own body of work, and every day, every season, and every year offers variations on the theme.