Anchored down in San Francisco awaiting a delayed hop to Eureka California, from where we will drive to the Hoopa Valley and work there for a couple of days. On leg five of the epic journey.
So a little time to breathe and reflect on a couple of harvests. First from Geoff Selig who was at the Pembroke Art of Hosting, and who collected the tablecloths from a final day World Cafe on what we have learned about the power of conversation.
Second, a harvest poem from the Open Space I ran yesterday in Kelowna. This was an afternoon session for the 30th anniversary of the Assembly of BC Arts Councils and 18 conversations took place that reflected the place of these volunteers and staff people who support the arts in towns, cities, islands and villages across our province. With Open Space these days I am trying as much as possible to have a place in which a meta harvest can be collected and created. Most often this looks like a graphic recorder who gathers materials and snippets from the sessions and co-creates a harvest with session conveners and participants. This gives a high level framework upon which the individual sessions can hang, and it invites another level of coherence and pattern noticing. Yesterday. we had no graphic recorder available, so I substituted with this poem that I created partly from the titles of the 18 sessions and partly from what I was seeing emerging in the conversations. As we only had 15 minutes for a closing, I presented this in lieu of a closing circle, and it made for a nice cap on the day:
The assembly of those who host space
by Chris Corrigan
Who are we? What do we do?
How do we face change while staying true
to the art that is the heart of community unity?
What body serves the life that comes to us?
Here we pause and reflect:
Youth are the truth of growing inclusivity.
Dialogue, funding, engagement are our tools
and it’s what we create with them that fuels
the passion for change
and well-ordered offerings that welcome the stranger,
the small connections that bring us into relationship
with land, citizen, government and institution.
So how to begin to offer form
that invites the spirit of the arts to warm
the cold spaces of urban waste
and rural forgetting, arts-based, human-paced
endeavours that bring us home?
How do we step up to govern and guide
theatres, galleries, facilities, the sides
of desks off of which our best work is done?
And how do we cultivate the source of our energy,
the money and bodies that make smooth
the skid roads and rip rap that brings this enterprise alive,
delivers the promise which grows and thrives?
We host space.
The spaces between people that light up with the spark of connection
recognition, a shared story, historical succession,
the tending of the coming soon that arises
from the done before rooted in the best of now.
The space of social media
both digital and tactile that expedites
the meeting of needs,
the speaking of deeds
into the record of our collective story.
The spaces of creation and illumination
like so many star-birthing clouds
spaces that resound with the colour of the voices that sound
the melodies and harmonies of our becoming.
Spaces in which we re-create, in which we see
what we could be with the power of free
expression coursing through the veins
that carry the pulse of life – the arts beat.
And here we confront our souls,
navigate the narrow channels, reefs and shoals
that want to gobble us down,
sink us in work, overwhelm and drown
our efforts in the skookumchuk
where scarcity and demand
suck and boil together and we move uncomfortably with outstretched hand.
Only and finally in THIS space,
do we recognize friends, companions
that also walk our path between elation
and struggle, who know the million details that support creation.
Thirty years we have sat in assembly
hosting a resonance that trembles
up the coast, valleys and rivers
like so many shivers
through the spine of beauty,
a reverent bass line, upon which rests
the deep song of who we are.
A deep bow to you all –
for the boards that lead
for the boards that are tread,
for the boards that are hammered together,
the music of spruce and pine and fir
forming the floor from which we stage our flight,
take wing and soar.
This poem was composed in honour of the 30th anniversary gathering of the Assembly of BC Arts Councils. It is a reflection of the issues that were articulated in 18 Open Space dialogue sessions held on the afternoon of May 2, 2009 in Kelowna, when Assembly members gathered to find wisdom in the stories and questions that were held within their community of practice.
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I was talking to my daughter tonight on the phone. I was walking out of The Forks in Winnipeg where I had just eaten a pickerel (that I learned was from Kazakhstan…W.T.F!) and my daughter requested that I get a GPS that could beep and show where I am on this epic trip. After being on the road for eight days already, with another 12 ahead of me, I don’t even know where I am sometimes.
Yesterday I was wrapping up the 2009 Good Food Gathering in San Jose and I took a CalTrain up to SFO, hopped an Air Canada flight to Calgary, spent the night there, and flew to Winnipeg early this morning where I joined national gathering of Aboriginal youth who are meeting to thinking about how to renew a very successful federal government program. That’s a lot of travel, but it doesn’t stop there. I fly to Ottawa tomorrow and spend most of the week at an Art of Hosting in Pembroke, Ont. before flying to Kelowna for a one day Open Space and then down to California again, this time to Hoopa, to work with a small Native radio station, KIDE. I get home May 6 after 20 straight days on the road split between five different gigs.
The Kellogg gathering was a lovely experience, and I was especially tickled by how we dissolved the traditional conference model. Day one was all speakers and plenary panel presentations, with a little bit of conversation built in around the ballroom set up with six foot rounds. Day two, we got rid of the tables and held the whole day in Open Space. Day three, a day that we deliberately left free for an emergent design, featured us getting rid of the chairs. When the participants arrived, the room was empty save for a few pieces of tape on the floor. Although half the participants called it a day right there, about 250 stayed on to engage in a beautiful piece of intergenerational work. Led by our youngest team members, Norma Flores, Manny Miles and Maggie Wright, the participants self-organized into a spiral by age, with the youngest person at the centre and the oldest on the outside. Looking around that spiral was to see the journey of a person growing in the Good Food movement.
We then people gather with the ten people closest to them on the spiral and figure out a song, chant, slogan, sentence or movement, that captured what their small demographic had to say to the whole. The next 20 minutes consisted of people bot speaking to the centre and speaking from their place. A voice and story of life in the movement unfolded all the way from the energy and optimism of the youth to the stretch of middle aged people to the tired, but persistent presence of the movement’s elders. After we took a breath we moved to another room and ended it with a drum circle.
Fun.
Tomorrow, a day of Open Space with youth who are designing the future of the Urban Multipurpose Aboriginal Youth Centres Program and then it’s off to Ottawa to run this Art of Hosting with dear friends Tenneson Woolf, Teresa Posakony and Kathy Jourdain and a great local team.
I’m twittering more than blogging these days. The microform works well. If you’re interested (yes Aine, YOU!) my twitter feed is here.
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Lovely day here in Marin County hanging out with friends and charting some interesting paths forward on a few projects. One highlight of the day was spending time with Amy Lenzo, who I have known for a while but met only one time previously when we were on an diverse and eclectic team of facilitators holding space at the Pegasus systems thinking conference a couple of years ago. Amy is, among other things, the web goddess for The World Cafe community and we spent a lovely lunch at the excellent Buckeye Roadhouse talking over the nature of our work, the ways in which we look at the art of hosting within rich social spaces and what is at the core of our approach to things. We were reflecting on what the World Cafe, Open Space, Berkana and Art of Hosting communities (among many others) have in common and it comes down to these four things – archetypal patterns if you will:
- The source pattern for our understanding of group process is the circle
- The source pattern for leadership within that process is “hosting” or facilitative (or “holding space“)
- The source pattern for design of process is diverge – emerge – converge
- The source pattern of our worldview is living systems
These four patterns form a set of foundations about our practice. They stand in contrast to foundations of group work for which:
- The source pattern for understanding group process is the traditional school room.
- The source pattern for leadership is the teacher or command and control
- The source pattern for design is linear: moving from point A to point B
- The source pattern for worldviews is mechanistic.
These distinctions are useful because the source patterns serve as an invitation. If you find yourself in alignment with the first set of patterns, you’ll probably find kin in the Cafe, Open Space, Berkana and Art of Hosting communities. If you relate more to the second set you ‘ll probably find yourself engaged with people from more traditional training backgrounds. There is certainly a time and place for both, and the skillful application of one or the other sets of foundations is what is brought by artful process practitioners.
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For many years on this site I have kept a page of facilitation resources that is my working library. I haven’t updated it for a long time, and so today, I went through folders and bookmarks and old emails and blog posts and revised the page.
For your edification, my renewed library of Facilitation Resources, free for the taking. The best links and site to partcipatory process I have found.
Enjoy.
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Over the past few years, I have enjoyed watching Otto Scharmer’s practice develop as he moves between the world of high level systems thinking and grounded facilitation practice. The first book he helped write, Presence, was a lovely distillation of his reasearch and I have been working a lot with his new book, Theory U, with its grounding in practice, to work with networks and communities who are trying to access the source of their collective futures.
I have also appreciated his willingness to openly share the tools he and the presencing community have been developing at the Presencing Institute website. It means that we can play with and prototype the use of the tools in different contexts. One of the tools which I have used a lot is the Theory U journalling practice. At the past two Art of Hosting trainings (Bowen Island in September, and Springfield, IL earlier this week) we used that practice to reflect and ground the experience of the Art of Hosting and to set up a way of diving into what comes next, as a way of leaving the deep space of learning together and re-entering the world.
Here are Otto’s questions, taken from the latest version at the Presencing website. The last question is one I have been using as well. The instruction here is to go sort of quickly through these questions, not to get stuck, but to flow through the process. This can be done either as a solo exercise or in groups. If you are working in groups, you could move into a period of small group conversation about some of the learning. The whole things takes 25 minutes minimum, if you give people a minute or so for reflection and writing. I do it the way Otto does it, by reading the questions aloud to the group and having people reflect and write silently the first answers that come to them:
[ 1 ] Challenges: Look at yourself from outside as if you were another person: What are the 3 or 4 most important challenges or tasks that your life (work and non-work) currently presents?
[ 2 ] Self: Write down 3 or 4 important facts about yourself. What are the important accomplishments you have achieved or competencies you have developed in your life (examples: raising children; finishing your education; being a good listener)?
[ 3 ] Emerging Self: What 3 or 4 important aspirations, areas of interest, or undeveloped talents would you like to place more focus on in your future journey (examples: writing a novel or poems; starting a social movement; taking your current work to a new level)?
[ 4 ] Frustration: What about your current work and/or personal life frustrates you the most?
[ 5 ] Energy: What are your most vital sources of energy? What do you love?
[ 6 ] Inner resistance: What is holding you back? Describe 2 or 3 recent situations (in your work or personal life) where you noticed one of the following three voices kicking in, which then prevented you from exploring the situation you were in more deeply:Voice of Judgment: shutting down your open mind (downloading instead of inquiring)
Voice of Cynicism: shutting down your open heart (disconnecting instead of relating)
Voice of Fear: shutting down your open will (holding on to the past or the present instead of letting go)[ 7 ] The crack: Over the past couple of days and weeks, what new aspects of your Self have you noticed? What new questions and themes are occurring to you now?
[ 8 ] Your community: Who makes up your community, and what are their highest hopes in regard to your future journey? Choose three people with different perspectives on your life and explore their hopes for your future (examples: your family; your friends; a parentless child on the street with no access to food, shelter, safety, or education). What might you hope for if you were in their shoes and looking at your life through their eyes?[ 9 ] Helicopter: Watch yourself from above (as if in a helicopter). What are you doing? What are you trying to do in this stage of your professional and personal journey?
[ 10 ] Imagine you could fast-forward to the very last moments of your life, when it is time for you to pass on. Now look back on your life’s journey as a whole. What would you want to see at that moment? What footprint do you want to leave behind on the planet? What would you want to be remembered for by the people who live on after you?
[ 11 ] From that (future) place, look back at your current situation as if you were looking at a different person. Now try to help that other person from the viewpoint of your highest future Self. What advice would you give? Feel, and sense, what the advice is–and then write it down.
[ 12 ] Now return again to the present and crystallize what it is that you want to create: your vision and intention for the next 3-5 years. What vision and intention do you have for yourself and your work? What are some essential core elements of the future that you want to create in your personal, professional, and social life? Describe as concretely as possible the images and elements that occur to you.
[ 13 ] Letting-go: What would you have to let go of in order to bring your vision into reality? What is the old stuff that must die? What is the old skin (behaviors, thought processes, etc.) that you need to shed?
[ 14 ] Seeds: What in your current life or context provides the seeds for the future that you want to create? Where do you see your future beginning?
[ 15 ] Prototyping: Over the next three months, if you were to prototype a microcosm of the future in which you could discover “the new” by doing something, what would that prototype look like?
[ 16 ] People: Who can help you make your highest future possibilities a reality? Who might be your core helpers and partners?
[ 17 ] Action: If you were to take on the project of bringing your intention into reality, what practical first steps would you take over the next 3 to 4 days?
[ 18 ] Anchoring: What is one question you could take with you that would anchor this intention and keep you checking into it?