The Art of Hosting is predicated on a very simple set of practices which we call the Four Fold Practice. This framework emerged from a conversation in the late 1990s between Toke Moeller, Monica Nissen, Carsten Ohm and Jan-Hein Nillson about what patterns make for a meaningful conversation. After talking about it for days, the clarity that arose was that people experience meaningful conversations when they are present, when they participate, when they are hosted and when they co-create something. Simple. The next question then became, what if these four patterns were actually practices that could be cultivated both by …
Bowen Island is where I live and work. Since 2004 there has been an annual Art of Hosting learning event offered by a really solid team of my most deeply experienced and connected friends and colleagues. Last year Scott Macklin came and made a beautiful video capturing the experience we craft here. Enjoy it and if you would like to experience it for yourself, please join us this November.
Erich Fromm studied love and connection as his life’s work. Along the way he was able to study and learn about the art of some of the core capacities of loving. From a blog post today on Fromm’s work, comes this simple set of principles for deepening the art of listening (in his own words): The basic rule for practicing this art is the complete concentration of the listener. Nothing of importance must be on his mind, he must be optimally free from anxiety as well as from greed. He must possess a freely-working imagination which is sufficiently concrete to …
Over the past few years, I have been thinking a lot about what it means to develop artistic mastery in facilitation/hosting practice. It’s an important topic to me because I teach this work, and it’s not always easy to design deep learning when people are expecting to become instantly good at facilitation after a single workshop. The Art of Hosting is a practice founded on tools, rooted in theory. It takes time to understand and integrate this practice and become masterful at it. I often draw parallels between learning the practice and development of mastery in the arts. Today I …
I’ve been deeply influenced over the years by Christina Baldwin’s principle that “no one person can be responsible for the safety of the group, but a group can learn to take responsibility for it’s own safety.” I too think that the principles of Open Space allow for the right balance for individuals to take responsibility for co-creating group safety. What is remarkable is that safety is an emergent phenomenon in Open Space, a true artifact of a self-organizing system. Of course I have seen some real conflicts happen in Open Space, but what seems to mitigate them is the double …