To some it may seem that we are simply cast about like so much cosmic flotsam and jetsam – and on a day when the partner of the moment is dark chaos that is surely the experience. But partners change and the dance moves on – light creative order enters our experience. How wonderful it might be to hold that moment for ever. . .
The ecstacy is not in the moment,
But in its passage.
To hold the moment is to destroy it –
The ending of the dance.
I think we are all dancers who live fully when we dance. There is no abstract right, wrong or perfect way to dance, for each dance is perfectly what it is. It is not about “shoulds,” “musts,” or “oughts,” but only the dance in this, and every, present moment. We are called to the dance and in the dance we experience ourselves as a loving whole – at one with ourselves and all that surrounds us.
From my newsreader this week:
- Peter Rukavina blogs a fish eye view (or sushi eye view) of a Japanese evening out.
- Dirk at mediabuzzard on the history of Chinese – First Nations relations in British Columbia
Last week I was working with an interesting group of 60 Aboriginal folks who work within the Canadian Forces and the department of National Defense, providing advice and support on Aboriginal issues within the military and civilian systems. We ran two half days in Open Space to work on emerging issues and action plans.
In an interesting side conversation, I spoke with a career soldier about fear. This man, one of the support staff for the gathering, had worked for a couple of decades as a corporal, mostly working as a mechanic on trucks. We got into an interesting conversation about fear. He said to me that he could never do what I do, walking into a circle and speaking to a large group of people. I expressed some surprise at this – after all I was talking to a trained soldier. I asked him if he had ever been in combat and experienced fear. He replied that he had been on a peacekeeping mission in Israel and that at one point in a threatening situtaion he had pointed a loaded gun at someone and awaited the order to fire, but he didn’t feel any fear at all.
We decided that it was first of all all about the stories you tell yourselves and second of all about training and practice. The fear of public speaking – fear that would paralyse even a soldier – is a fear that is borne from a history of equating public speaking with a performance. In school for example we are taught that public speaking is something to be judged rather than a skill to be learned. Imagine if we gave grades for tying a shoelace, or using a toilet or eating food. If we performed these important but mundane tasks with the expectation of reward or punishment, conditional on someone else’s judgement about them, having nothing to do with the final result, we might well develop fear and aversion to these things too.
The fact is that the fear of public speaking – glossophobia – is widespread and this makes me think it has something to do with public schooling. Our training leaves us in a place of competence or fear, and, as much of the training in social skills is undertaken implicitly in school (including deference to authority, conditional self-esteem and a proclivity to answers and judgement rather than question and curiosity) we absorb school’s teaching about these things without knowing where they came from. Certainly when I grew up – and I was a little younger than this soldier I was speaking with – speaking in school was generally either a gradable part of reporting on an assignment or was competitive, as in debating, a practice that was prevalent in my academic high school that sent many young people into competitive speaking careers as lawyers and business people. If you were no good at this form of speaking, the results of being judged on your attempts to get a point across were often humiliating. You lost, or you skulked away with the knowledge that people thought you sucked.
In contrast, my friend’s ability to find himself relatively fearless in an armed confrontation was a result of his military training, which, when it comes to combat, is all aimed having a soldier perform exactly as my friend had – calmly and coolly, especially in a peacekeeping role.
These days, in teaching people how to do facilitation, I am increasingly leaving the tools and techniques aside and instead building in practices of noticing and cultivating fearlessness. When you can walk into a circle fearlessly, you can effectively and magically open space. If you harbour fear about yourself or your abilities, it is hard to get the space open and enter into a trusting relationship with a group of people. Once you can do that, you can use any tool effectively, but the key capacity is not knowing the tool, it is knowing yourself.
How do you teach or learn fearlessness?
Interesting reads this week:
- DeAnna Martin on a design for using Dynamic Facilitation with large groups
- Worldchanging Canada has a great post about art derived from the complexity of nature
- Metafilter link of an insane film about fishing for Great White Sharks. From a beach. Surfing is involved.
- Rob Bailey on the perfect crab curry
- Ravi Tangri on innovation in the service industry in hard times
- Nancy White, with palpable delight wraps up her take on Northern Voice
- Sheri Herndon emailed an interesting link about how Obama communicates by George Lakoff
- Dustin Rivers takes his blog to new digs. Get the new feed and follow along with the Sḵwxwú7mesh resurgence.
Myriam Laberge posted a link to a video of David Gershon talking about what it takes to take change to scale. What struck me about the video was not so much his message as what it actually is. It’s a “trailer” for a 2007 conference sponsored by the Omega Institute.
As an artful act of invitation, this is briliant. How many of us outside the movie industry consider making trailers to gatherings? Putting audio and video to work in this way is a fantastic way to get the message out, introduce people to ideas that will be bandied around at your gathering, and it becomes a great way to have people with blogs – like me! – link to your invitation.
How else are you pushing the boundaries of invitation?
UPDATE: Geoff Brown chimes in.