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Thinking about powerful questions

July 15, 2026 By Chris Corrigan Art of Hosting, Complexity, Containers, Facilitation, Featured, Invitation, Power No Comments

Questions are the central preoccupation of my work. I ask them of clients, we ask them together, we ask questions about questions to be sure that we are asking good questions and when we aren’t we ask questions about what would be the better questions. In uncertain situations, the quality of our inquiry often matters far more than the quality of our answers.

So much of my work deals with supporting groups and organizations as they explore uncertainty, ambiguity, and unknowable futures, that answers are usually less helpful than good questions. The question often then becomes, what makes a question good?

For years in the Art of Hosting I have avoided teaching about good or powerful questions. My reticence to do so was based in the idea that knowing what a good question is is so context dependant that I couldn’t possibly tell you unless we had a context to work with. I think the role of hosts is not arrive bringing the powerful question but to arrive bringing the attention needed to notice the questions that are alive in a field of work.

There are however a few useful pieces of scaffolding that might hep a person get started in thinking about questions. At a recent Art of Hosting, my colleagues taught a short introduction to powerful questions using a kind of hierarchy of questions that is contained in Vogt, Brown and Isaacs’ “The Art of Powerful Questions.” It looks like this:

from Vogt, Brown and Isaacs’ “The Art of Powerful Questions.”

This hierarchy started me thinking about this post. In re-reading the Art of Powerful Questions, I could see that there were two distinct practices discussed there. One was the practice of designing questions. The other is the practice of discovering questions. As one source in the publication says:

“Discovering strategic questions is like panning for gold. You have to care about finding it, you have to be curious, and you have to create an anticipation of discovering gold, even though none of us may know ahead of time where we’ll find it. You head toward the general territory where you think the gold may be located, with your best tools, your experience, and your instincts. And then you begin a disciplined search for the gold.”

THAT is what interests me.

A question does not have power on its own

Let’s stick with the first practice for a moment: designing questions. Every facilitator at some point has kept a journal of good questions. When you do you start to notice that it is impossible to speak with certainty about what makes a question powerful. What this hierarchy does is to put various English interrogatives into a kind of sequence, not of powerfulness actually, but ostensibly of openness. Yes/no questions are clearly more limiting than Why or What questions. But I don’t know if they are more powerful. One of the most powerful questions I ever asked was “Do you want to get married?” It was by far the most consequential question of my life and it really came down to yes or no. Likewise, one of the most debilitating questions I was ever asked was from a teacher who was frustrated by what I later learned was a classic presentation of ADHD who asked twelve year old me “Why do you disappoint me?” If a yes/no question has two answers, that Why question had zero. And perhaps it was powerful, but it wasn’t generative. It was, unknowingly to the frustrated teacher, cruel.

The other thing to note about how questions are skewed by context is that the questions above were put in a relational context. “What do you think you’re doing?” is not really a question, and it carries the overtones of disapproval from a person in power. Questions like that are carried in a medium of relationship that render the hierarchy of powerfulness almost useless.

There are lots of different kinds of questions. There are closed questions and open questions. There are questions that we have answers to, questions that lead us in a certain direction, and questions that invite us to keep uncertainty and openness and exploration alive. There are questions about the past, the present and the future. Lineal, circular, strategic and reflexive questions. Directed and undirected questions, and so on. I spend a lot of time helping people to NOT ask yes/no questions like “Did you receive good support for this problem? If no, please explain.” It’s better to ask “What kind of support did you receive?” and have people share a story and tell you themselves if it was good service or not. This is the basis of work with Participatory Narrative Inquiry

The Art of Powerful Questions as a document really came out of a conversation between a number of people involved in the World Cafe community as they were thinking about questions, and I recommend it as a good starting point. The World Cafe community continues to explore this question about questions.

After working with questions for many years and especially increasingly working in complex and emergent contexts, I think my practice has led me away from designing good questions to trying to discover them. As a leader in places where I have led sometimes framing the right question is the right thing to do, but it is about adopting the stance of inquiry that is ultimately more important that having a perfect, powerful question.

Questions are proposals embedded in contexts

Questions are embedded in contexts. The combination of the question and the context creates a kind of proposal for action. What has intrinsic power in a complex system is the questioner. As a facilitator, if I ask a question of a group, it collapses the field of possibilities in the room because I have made an implicit proposal about what is important right now. Even if I have spent time to craft that question with a bunch of people from the organization or group I am working with, the act of me asking that question is where the power lies. So, while it is important to pay attention to assumptions embedded in questions, it is also important to be aware of the proposals embedded in questions.

A question like “What is it you plan to do with your one wild and precious life?” is a beautiful question. But if I ask it in a group I am making as assumption that the people I am asking it about have similar thoughts about their lives as Mary Oliver does. I am also making a proposal, as Mary Oliver does, that I’m possibly not doing enough in my life to bring more attention or purpose or meaning. Or I may be assuming that folks, as she says

know how to pay attention, how to fall down
into the grass, how to kneel in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?

Not everybody has that kind of idleness at hand to be able to reflect on whether contemplating a grasshopper was a good use of time. Asking folks that question devoid of the context of their lives, the urgency of a situation, or the consent to be in that conversation is a hell of a proposal. Imagine asking a seasonal farm worker that question. Or the Dalai Lama.

Beautiful questions are not necessarily inviting questions

Mary Oliver’s question is beautiful. It stands on its own because it is a poetic statement. I’m not sure it actually wants an answer. It seems to invite a turning, a metanoia, a repentance. If it were offered in a therapeutic context, it might directly imply that I’m not doing the RIGHT thing with my one will and precious life. The question therefore intimidates me and subjugates me to the author’s intention. When that intention is hidden, I feel manipulated.

I do see this often in questions that come my way like “What would be possible if we trusted each other more?” That is a question that immediately drives me to thinking about its opposite. In my world, even as a person who tends to trust more than I should, there are definitely people I should be trusting less. The idea that MORE trust leads to more possibility contains an embedded assumption, an implicit proposal and a predetermined pathway of inquiry. It avoids the first principle of good complexity work and lets the framework determine the data and not the other way around. There is no new meaning to be made from a question like that, really. The conversation is likely to be abstract and opinionated at best. And might be a naive casting about in an unknown future at worst.

That’s not to say that we can’t learn from questions like that.

If we really wanted to examine trust I might start with having people tell stories about trust to each other. How trust operates in different contexts matters, and so if the exploration is not be useful, the stories have to be relevant to the context either because they are directly related to the context or they become connected to the context through reflection and collective sense-making. Nevertheless, it’s no good that assuming that MORE trust leads to MORE possibility if there is a chance that trusting some people less in order to opens up the possibilities for a field.

Good questions can be answered by everyone, and get the facilitator out of the centre.

Not all conversations are the same, but a lot of my work deals with looking at what’s happening and exploring change. This implies a trajectory to the questions, from the present state towards a direction of travel that we might discover together. My favourite questions for this, and still the ones I use as a basic template for work are Terry Borton’s reflective questions: “What? So what? Now what?” These are so simple, and yet they hold us, as facilitators, at a distance from the group’s work, which is a good thing. They ask of us to become hosts that works with the constraints of the system that shape actions, rather than the attractors that collapse what’s possible into a single, deep, valley of channeled conversation.

As basic source code these questions are helpful. Almost every change or planning process I work with starts with “What?” There is nothing better at getting directly to the urgency of a situation than by asking what the hell is going on and then shaping the constraints of the situation such that everyone can contribute to that conversation. There is not one answer. There is a survey of the field and the perspectives in the room that gives us enough information with which to act, because in complex situations that is what we need.

The “So What?” question invites the group to look at what they have said is the “What” and make sense of it. What does this mean for us? This is the area of exploration, negotiation, discussion, perspective sharing, learning. From this sense-making comes the turn to trying things out. “Now What?” is about the actions we might to take to address a problem, explore and option or move this into a new cycle of inquiry, Glenda Eoyang calls her version of this loop “Adaptive Action.”

There is a similar construction in the Technology of Participation body of work known as ORID, which helps people in inquiry look at Objective questions, Reflective questions, Interpretive questions and Decisional questions.

Again, these methods imply a directionality to an intervention, but as long as that intention is clear and transparent and lands a proposal for action, I think the direction is ethical. If the group refuses the proposal, then the question becomes “What do we do now?” I’ve had a few cases of these in my life and they are good lessons in humility and excellent examples of watching a group activate its collective capability to frame its own questions and inquiries.

The most consequential questions are often the ones the group recognize as their own

So this brings me around to the point. A question shapes the field of attention. In complexity terms it becomes a constraint and makes some things easier to notice and others easier to ignore. It channels attention and participation. If it is understood as a probe to that system, to see what else might emerge, it can be useful. If it is held tightly as The Thing We Are Here To Talk About then it becomes non-consensual and it suppresses the emergence that is needed for a group to discover and rely on its own capability and distributed knowledge. For complex and uncertain work, including planning, change, and culture, the questions are already in the field. They are the ones that everyone is asking in their minds. Not “What would be possible in five years if we became a more welcoming community?” but rather “What are we going to do about these damn tourists?” (That might be from a real situation. 😉 )

But what about my one wild and precious question?

So the most powerful question is not the one that the facilitator brings. In fact my advice would almost always be to start with “What’s happening?” and go from there. Bring attention, not intention. When a group develops enough shared attention sometimes the powerful question emerges there and it seems obvious. We need to not go looking for beautiful constructions, poetic and inspiring language, or even hierarchies of importance. We need to pay attention to the conversations that are already happening, the questions that people are asking themselves, the relational fields in which those questions are being asked and the larger context of need and purpose that forms the proposal for the intervention.

Practitioners intervene. That’s what we do. Letting go of the need to bring the powerful question helps us to do it better because it turns a predetermined intervention into a collectively help proposal for action, one that can be explored, contested, rejected, accepted, or changed. Start simple and be transparent. Start with a question that everyone can answer, one like “Can you share an experience of… What happened?” Take the answers to those questions and give them to people and ask them what they make of them. Then let the next question emerge from what the group has made visible together.

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Rebuild the hand built web

July 13, 2026 By Chris Corrigan Uncategorized No Comments

I had a lovely call with Cynthia Kurtz on Friday, discussing all manner of things including an upcoming retreat with a client where we will explore complexity and use Participatory Narrative Inquiry and a NarraFirma capture to explore an important issue for the organization.  Like me, and a few others, she has gone back to her blog and has relaunched it, so if you had her in your feedreader, you'll need to update her RSS feed. 

Here's her call to arms.

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Our cougar’s time is running out

July 9, 2026 By Chris Corrigan Bowen No Comments

Two years ago a young male cougar swam to our island. Its not clear where it can from, but most likely it crossed the Collingwood Channel from Keats Island, as distance of nearly 2 kilometres at its shortest point. The cougar took up residence on Mount Collins and the west side of Mount Gardner, and has made Bowen Island its home. Until recently it has been surviving on deer, of which there are plenty on Bowen.  It has kept to itself and very few people have seen it, although hit has been captured a lot on camera. Those that encountered it have often been deeply moved by the animal.

In the last month or so it has turned its attention to livestock and has killed three sheep. Its shift to domesticated animals means that it is now targeted for removal by conservation officers.  It won't be relocated. It will trapped and killed. Eating sheep has sealed its fate and soon we will be cougar-less again on Bowen.  

There is also at least one black bear on Bowen at the moment.  Possibly two.  They will not be long for this world either, as this is not a very bear-safe community, meaning that we don't generally have good practices around securing garbage and other common practices to make it safe for bears to cohabitate with humans without become fatally attracted to our stuff.  

We are a wild-feeling place, but not a wilderness. It's not possible for wild predators to live safely here. Nevertheless, I feel blessed in a strange way that the cougar and these bears have chosen to be with us, even though it was always a death sentence for them. They put the question about who we are, what we have done to this place, and what we can really say about how we live in respect of the island, the sea, and the flora and fauna which we live amongst.

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A story about looking for depth in a container

July 8, 2026 By Chris Corrigan Being, Containers, Featured No Comments

I am sitting on the pier, fuelled by an espresso, just having completed volume 2 of Solvej Balle’s story On the Calculation of Volume. Volume 3 is sitting next to me ready to be cracked open as I wait for a friend to arrive from the mainland.

Balle’s work has been lauded for its beautiful writing (beautiful in translation too, thank you Barbara Haveland) that moves at a measured speed and is very clear and incisive. This is a story about noticing, set as it is on an eternally repeating 18th of November, charting the narrator’s exploration of her world. It sits very comfortably beside Samantha Harvey’s Orbital; a short novella that is saturated with gorgeous passages of writing, a novel way of seeing time and space, and an almost imperceptible pace.

As the title suggests, this is a book that investigates depth. Towards the end of the second volume comes the clue that unlocks the plot device: “Time is not a circle and it is not a line, it is not a wheel and it is not a river. It is a space, a room, a pool, a container.” Volume 2 ends with a beautiful three page meditation on the world as containers, which I can only invite you read for yourself.

Locked in this container of time, the narrator Tara Selter has to discover depth in order to give her life some meaning. The story meanders between longer explorations, that include trying to solve her problem, seeking an experience of seasons, exploring the history of the land in which she finds herself. As she goes she records notes about what is important to her. It’s not clear that there is any reason for that other than that she is consigned to this single container of time as a human, she seeks deeper and deeper meaning in it.

One passage that stood with me is a conversation she has with a meteorologist she meets, who explains to her what season are:

“…the meteorologist then began to reflect on our strange relationship with the seasons. She talked about astronomical seasons, and meteorological seasons. About the calendar years division into spring and summer months, about people’s surprise when meteorological phenomenon did not occur with the calendar, even though everyone knew that any attempt to synchronize the weather with the predictability of planets and calendars was pointless.

She did not believe, however, that seasons could be regarded as meteorological phenomenon. Temperature and precipitation are meteorological phenomenon, she said. Cold and heat, cloud burst and drought, but seasons? She saw them more as psychological phenomenon. Memory concentrates. Accepted stereotypes. Conglomerates of experiences and feelings, perhaps. People ask if it won’t soon be summer, even though we are well into July, simply because the summer has been on the cool side. As a meteorologist one is almost expected to deliver particular weather conditions at particular times of year, she said. A proper summer. A proper winter. As if you hadn’t done your job until you had delivered a certain sort of weather. We going to have a winter this year? As if the seasons were a concept of sorts that we dragged around with us. From childhood perhaps, she said, with winter snow and summer sun. Or perhaps not even that. Perhaps the human seasons really only existed in films or in our photo albums. Especially if you have children. She did it herself: took pictures of typical seasons. She had noticed that she took more pictures from the seasons that lived up to our expectations of them: pictures of snow in winter and bright sunshine in summer, a hot day on the beach, red and yellow leaves and a child in rain boots in autumn – and always snaps with sandals in the summer, even in summers when most days were rain boot days. As if we had templates for the seasons, and when everything fits, we take a picture. As if it is an event in itself that the weather has gotten right. If it is winter in a film, there is always a little snow, she said. Or frost. Even if the film is set in southern Europe, there will always be a sprinkling of white, to let us know that it is winter.”

Containers and constraints generate the spaces inside which we make meaning. What we choose to see, what we fit with our predetermined ideas, or what emerges as we explore things that aren’t implied by the constraints themselves. Containers are emergent. Meaning arises within them and about them.

Balle’s work is a gorgeous meditation on this, with a gently travelling plot line that takes sudden turns into new landscapes contained ointment the experience of a single day.

Volume 3 sits beside me. Volume 4 has just been released in English. There are seven volumes in total. All calculated.

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Canada Day on Bowen Island

July 2, 2026 By Chris Corrigan Being, Bowen, First Nations No Comments

Flags flying on the waterfront at Shearwater BC. There are two standard Canada flags and two of Curtis Wilson’s 2005 Indigenous Canada flag

I spent yesterday, Canada Day, with my friend Pauline Le Bel inside the common room at our municipal hall. The room was filled with the “Canada Day Re-Imagined” part of the program. Michael Yahgulaanas‘ recent works were on display, there was a full collection of posters of the Calls to Action from the Truth and Reconciliation Commission and we were there to solicit donations for the Welcome Figure Project that we are championing.

I appreciate how Canada Day is celebrated on our island. It is a celebration and invites a thoughtful reflection on what it means to live in this country. National holidays don’t need to be excuses for blind nationalism, but they don’t need to be blindly critical of the nation either. They need to be complicated and nuanced reflections on where we live, what we love about it and a celebration of the ways we can make it better, by building community, advancing justice, and listening to the varieties of experience that surround us.

In last week’s Undercurrent (vol. 52, no. 26), our excellent local newspaper, one of our renowned local poets, Jude Neale, offered a Canada Day poem that, in a quiet way, names some of this. I’m sharing it here with appreciation:

Canada Day on Bowen Island
By Jude Neal

On Nexwlélexwm, morning arrives by ferry.
The ramp lowers with a groan of metal,
and Bowen Island opens itself to the day,
green and salt-bright, waiting.
Children spill onto the dock
with paper flags in their hands,
red and white flickering like small flames
against the blue harbour air.
Their laughter rises first,
light as gulls,
carried over the water
and caught in the cedar branches.
Strawberries come next,
stacked in cardboard trays,
ripe and shining,
little summer lanterns
held carefully between two hands.
Along the shoreline, the day gathers colour.
Coffee steam curls above paper cups.
Dogs nose the grass and shake seawater from their coats.
Voices drift between picnic blankets,
folding chairs, coolers, bicycles,
the soft shade of trees.
Families settle on the grass.
Friends wave from across the field.
Someone makes room at a table.
Someone pours lemonade.
Someone laughs and calls a neighbour over.
And Canada appears, quietly.
Not only in the anthem,
not only in speeches or flags,
but in the ordinary grace
of people making space for one another.
In a shared plate of berries.
In a hand offered onthe dock.
In stories carried here
from prairie towns, northern rivers,
Atlantic kitchens, Pacific rain,
and all the long roads between.
It is there in many voices,
many histories,
many ways of belonging.
It is there in courage.
In care.
In the work of welcome.
In the hope that a country.
can keep learning how to hold its people well.
Above this small island,
the summer sky opens wide.
Far beyond it, the north remembers its green fire,
aurora ribbons loosening across the dark.
The prairies breathe gold.
The mountains keep their snow.
The Atlantic throws light against stone.
And here, on Bowen,
the sea folds all of it into one shining afternoon.
A child pauses at the harbour's edge.
Her flag flutters softly in the breeze,
a red maple leaf against summer green.
For one still moment,
the island seems to hold its breath.
The ferry waits.
The water glimmers.
The cedars stand tall.
And through this small bright scene,
the whole country seems to shine.

Thanks Jude.

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