
Over the past few years, I have been thinking a lot about what it means to develop artistic mastery in facilitation/hosting practice. It’s an important topic to me because I teach this work, and it’s not always easy to design deep learning when people are expecting to become instantly good at facilitation after a single workshop.
The Art of Hosting is a practice founded on tools, rooted in theory. It takes time to understand and integrate this practice and become masterful at it. I often draw parallels between learning the practice and development of mastery in the arts.
Today I was sharing my experience in a kind of cheeky way with some other Art of Hosting stewards, and I wrote the following, which seems helpful:
The 14 steps of the artist’s journey to mastery (based on the last 30 years of my experience)
1. Cultivate the desire to create beauty
2. Discover a medium for doing so
3. Seek the teachers who can teach you how to use the tools of your medium faithfully
4. Use the tools faithfully to make simple things.
5. Ask why things work and why they don’t
6. With that knowledge, modify your tools to do what needs to be done beyond simplicity.
7. Discover the limitations of your tools.
8. Become a tool maker
9. Take on apprentices and teach them to use the tools faithfully to make simple things
10. Take on apprentices and help them reflect on why they are succeeding and failing.
11. I don’t know…I haven’t got there yet
12. Unimaginable to me, but I see it.
13. Wow.
14. The unrealized ideal master that I aspire to become, should I be given more than one lifetime to do so.Along the way, be aware of the following:
- self-doubt
- errors at different scales
- mistakes and regret
- joy and surprise
- the desire of others to learn from you
- the feeling that you have nothing to offer them
- times of steep learning and times of long periods of integration
- waxing and waning of inspiration
- Rule 6a applies at all times (an inside joke: Rule 6a is “Don’t take yourself too f*cking seriously)
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Sonja Blignault has been blogging some terrific stuff on Paul Cilliers’ work on complexity. Specifically she has been riffing on Cilliers’ seven characteristics of complex systems and the implications of complexity for organizations.
Yesterday I was teaching an Art of Hosting here in Calgary, where we were looking at Cynefin and then followed with a discussion about how the nature of complex systems compels us to make important design choices when we are facilitating participatory processes to do work in organizations.
This is a cursory list, but I thought it would be helpful to share here. Cilliers’ text is bold.
Complex systems consist of a large number of elements that in themselves can be simple.
If you are planning participatory processes, don’t focus on working on the simple problems that are the elements in complexity. Instead, you need to gather information about those many simple elements and use facilitation methods to look for patterns together. We talk about describing the system before interpreting it. Getting a sense of the bits and pieces ensures that you don’t begin strategic process work with high level aspirations.
The elements interact dynamically by exchanging energy or information. These interactions are rich. Even if specific elements only interact with a few others, the effects of these interactions are propagated throughout the system. The interactions are nonlinear.
Non-lienarity is truly one of those things that traditional planning processes fail to understand. We want to always be heading towards a goal, despite the fact that in complex systems such controlled progress is impossible. What we need to be doing is choosing a direction to move in and make decisions and choices that are coherent with that direction, all the while keeping a careful watch on what is happening and what effect our decisions have. Participatory processes help us to make sense of what we are seeing, and convening regular meetings of people to look through data and seen what is happening is essential, especially if we are making decisions on innovative approaches. Avoid creating processes that assume casualty going forward; don’t make plans that are based on linear chains of events that take us from A to B. Traditional vision, mission goals and objectives planning has little usefulness in a complex system. Instead, focus on the direction you want to move in and a set of principles or values that help you make decisions in that direction.
There are many direct and indirect feedback loops.
The interactions between the parts of a systems happen in a myriad of ways. To keep your strategy adapting, you need to build in feedback loops that work at a variety of time scales. Daily journalling, weekly sense making and project cycle reporting can all be useful. Set up simple and easily observable monitoring criteria that help you to watch what you are doing and decide how to adjust when that criteria are triggered. Build in individual and collective ways to harvest and make sense of what you are seeing.
Complex systems are open systems—they exchange energy or infor- mation with their environment—and operate at conditions far from equilibrium.
You need to understand that there are factors outside your control that are affecting the success or failure of your strategy. Your and your people are constantly interacting with the outside world. Understand these patterns as they can often be more important than your strategy. In participatory process and strategy building I love it when we bring in naive experts to contribute ideas from outside our usual thinking. In natural systems, evolution and change is powered by what happens at the edges ad boundaries, where a forest interacts with a meadow, or a sea with a shoreline. these ecotones are the places of greatest life, variety and influence in a system. Build participatory process that bring in ideas from the edge.
Complex systems have memory, not located at a specific place, but distributed throughout the system. Any complex system thus has a history, and the history is of cardinal importance to the behavior of the system.
Complex systems are organized into patterns and those patterns are the results of many many decisions and actions over time. Decisions and actions often converge around attractors and boundaries in a system and so understanding these “deep yes’s and deep no’s” as I call them is essential to working in complexity. You are never starting from a blank state, so begin by engaging people in understanding the system, look for the patterns that enable and the patterns that keep us stuck, and plan accordingly.
The behavior of the system is determined by the nature of the interactions, not by what is contained within the components. Since the interactions are rich, dynamic, fed back, and, above all, nonlinear, the behavior of the system as a whole cannot be predicted from an inspection of its components. The notion of “emergence” is used to describe this aspect. The presence of emergent properties does not provide an argument against causality, only against deterministic forms of prediction.
So again, work with patterns of behaviour, not individual parts. And of course, as Dave Snowden is fond of saying, to shift patterns, shift the way the actors interact. Don’t try to change the actors. Once, when working on the issue of addictions stigma in health care, the health authority tried running a project to address stigmatizing behaviours with awareness workshops. The problem was, they couldn’t find anyone that admitted to stigmatizing behaviours. Instead, we ran a series of experiments to change the way people work together around addictions and people with addictions (including providing recognition and help for health care workers who themselves suffered from addictions). That is the way to address an emergent phenomenon.
Complex systems are adaptive. They can (re)organize their internal structure without the intervention of an external agent.
And so your strategy must also be adaptive. I’m learning a lot about Principles Based Evaluation these days which is a useful way to craft strategy in complex domains. Using principles allows people to make decisions consistent and coherent with the preferred direction of travel the strategy is taking us in. when the strategy needs to adapt, because conditions have changed, managers can rely on principles to structure new responses to changing conditions. Participatory processes become essential in interpreting principles for current conditions.
This is a bit of a brain dump, and as usual it makes more sense to me that perhaps it does to everyone else. But I’d be very interested in your reflections on what you are hearing here, especially as it relates to how we craft, design and deliver participatory processes in the service of strategy, planning and implementation.
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I’ve been deeply influenced over the years by Christina Baldwin’s principle that “no one person can be responsible for the safety of the group, but a group can learn to take responsibility for it’s own safety.” I too think that the principles of Open Space allow for the right balance for individuals to take responsibility for co-creating group safety. What is remarkable is that safety is an emergent phenomenon in Open Space, a true artifact of a self-organizing system. Of course I have seen some real conflicts happen in Open Space, but what seems to mitigate them is the double wall of the container.
What I mean by that is that meetings in Open Space happen within break out groups within the larger container. If a break out group breaks down, participants are still held in the larger space. I have seen very few instances where people in conflict left the bigger container, even if the exercised the law of two feet and left their breakout space. Most often a kind of “neutral ground” emerges in Open Space: near the agenda wall, around the coffee table, sometimes outside on a nice day. These emergent neutral spaces provide participants with a chance to discharge, relax, calm down and get their wits about them. The facilitator never has to do anything, in my experience, but just keep holding the space.
I don’t like the idea of safe space though, I prefer the term “safe enough” space, or even “brave space.” For many marginalized people the idea of safe space is always a myth, and there is no way that we can guarantee it will emerge in Open Space. So instead I encourage people to take a bit of a risk and enter into “safe enough” space, so that they can learn something new and let go of whatever it is they are holding on to.
I remember an event I did once on Hawaii with indigenous Hawaiians and well heeled Americans looking together at the values of reverence and sustainability. At one point, one of the Americans, a person with a net worth in the millions of dollars, asked the group that we commit to safety in the space. This raised the ire of the senior Elder in the room who snapped (and I paraphrase) “You have no right to safe space! Your desire for safety has imperilled the entire world. We do not live safe lives as a result. Our lands are colonized, our food supplies are depleted and our oceans are in danger of no longer providing for us. There is no safe space here. You must learn to live with risk and take responsibility for your role in creating it.”
When we are invited into risk together, everyone giving up safety according to their means, the possibility for real relationship exists in the shared challenge to our well held worldviews.
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This is the year I finally turn my version of the chaordic stepping stones tool into a book. I’ve been intending to do this for a number of years now, and the planning guide that lives on this website (available for free in English and Spanish) is essentially the book treatment and summary. The book itself will include a little bit of theory as well, based on my decade long dive into complexity work. It will also contains some stories, case studies and inspiration.
As a part of preparing the book, I’m offering a four week online course starting in a couple of weeks. If you have a project that you are working on and you want to bring this tool and some peer coaching to make it better, please join us. We have discounts for teams and we will even be able to provide you with real time design space where you can work together on the project idea.
I’d love to have lots of voices and eyes on the project as we go ahead, so if you have advice about writing books, ideas for publishers who might be interested, stories of chaordic design, criticisms about this way of doing things or any other ideas to share, I’m all ears.
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