Comments on: Becoming a process artist

By: Michael Jane

Michael Jane — Mon, 06 Jul 2009 18:01:20 +0000

Fantastic information,This is the first time i heard about this. keep it up this good works.

Regards,
William

By: Chris Corrigan

Chris Corrigan — Thu, 02 Oct 2008 00:25:29 +0000

Very interesting…thanks for the history Wally!

By: Wally

Wally — Wed, 01 Oct 2008 20:04:47 +0000

Guten Tag

Over fifty years ago I apprenticed as a positive FOTO-RETOUCHER .{which means retouching the fotoprint .in contrast to the negative retoucher who retouches the negative film]When I got a job in England I found out that they use the name PROCESS ARTIST instead of FOTORETOUCHER for my trade.The origin of my trade goes back to ca 1910 so these words have been around a while.I have never heard these words used in any other connection than as described above.In the meantime the computer has gobled up this trade.It may be of interest that the main tool was the AIRBRUSH and very fine Kolinsky brushes made from the winterfur tailhair of the rare Kolinsky marmot which is found only in remote aereas of Siberia.
This is just a different angle to these two words .In case you knew all this already .I APOLOGIZE

so long and uf widerluege {Swissgerman for bye bye}

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By: Daniel

Daniel — Wed, 22 Aug 2007 17:48:05 +0000

I couldn’t understand some parts of this article Becoming a process artist, but I guess I just need to check some more resources regarding this, because it sounds interesting.

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By: Werner

Werner — Sat, 31 Mar 2007 08:07:42 +0000

I would like to support Christy’s question, although I do think that I have understood Process Arts in much the way you clarify in your reply. In order to answer your first question: I have begun practicing it all the time, to the best of my ability. Making a conscious decision of becoming my very best in everything I do and experience may have served as the initial starting point and I take it from there. The bottomline is to think, say, do anything as astutely aware as possible. The process falls into place, as in doing everything in an ultimately aware manner puts decisions to be made in front of you – all the time, from the minute you open your eyes to the one you’re closing them (and in doing so, having made a conscious decision to “let go” for now). Once you have selected one of the many options and thus having made a decision, a process follows. It may either involve new decisions to be made in order to accomplish an output or working down your list of todos in order to make that particular, anticipated output happen. It may also involve involving others in order to help you get where the decision is meant to get you or an issue.

In answering your second question: I’m still reading and exploring, so I may have to ask your patience for not even having come across the many forms of process art you’re already practicing.

By: Chris Corrigan

Chris Corrigan — Fri, 30 Mar 2007 20:11:19 +0000

Seems to me that within all of those life arts there is process and we can pay attention to that process as an artist. So in my relationships with clients, in meetings I facilitate and in my time I spend with my kids, I actually do bring an artistic sensibility to those places a lot of the time. I am highly aware of getting into a groove, and I learn and practice a lot. Caitlin and I put our kids on our corporate website as two of the four partners of Harvest Moon Consultants Ltd., because what we have going on in our family shows up in our work. The artistry of relationship, of planning, of communicating, presencing and conversing is trained and practiced there. So to me there is a close connection between life arts and process arts, and life artistry and process artistry. I think actually it is possible to be one or the other (or neither) but things really light up when you become both.